Editor-in-Chief : Isabelle Schwartz-Gastine

Journal : Shakespeare en devenir

Introduction Par Isabelle Schwartz-Gastine et Kiki Lindell – The Classroom as Rehearsal Room: an Evidence Informed Approach to Teaching Shakespeare Par Jacqui O’Hanlon – Costume drama: Margaret, Innogen, and the problem of Much Ado About Nothing in modern performance Par Michael Dobson – Much Ado About Nothing: Save Innogen, and Banish the Sentimentalists’ Claudio! Par Cedric Watts – Bodily Exultation on Screen: Branagh’s Aesthetics of Sensuality in Much Ado About Nothing (1993) Par Pascale Drouet – “Into hey nonny, nonny”: Much Ado About Nothing, Merry-Go-Round Comedy and Swirling Worlds in Kenneth Branagh’s and Joss Whedon’s Screen Versions Par Anne-Marie Costantini-Cornède – Whistling in the Graveyard? Or why did the Communists make four films of one Shakespeare play in four decades? Par Ronan Paterson – Appropriations of Comic and Tragic Elements in Rourke’s and Whedon’s Productions of Much Ado About Nothing Par Evrim Dogan Adanur – Adaptation from Screen to Stage? Branagh’s Olive Groves, Puskás’s Orangery and Shakespearean Rhizomatics Par Gabriella Reuss – Much Ado about a Spider: Much Ado About Nothing in Polish and International Theatre Posters of the 20th and 21st Centuries Par Sabina Laskowska-Hinz – Britain, India, Shakespeare, and the Nightwatch Constabulary Par Varsha Panjwani

Updated on 01/01/2018